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Beauty of Concealment and Concealment of Beauty

Beauty of Concealment and Concealment of Beauty

Author:
Publisher: www.al-islam.org
English

This book is corrected and edited by Al-Hassanain (p) Institue for Islamic Heritage and Thought

Alhassanain (p) Network for Islamic Heritage and Thought

Beauty of Concealment and Concealment of Beauty

A lecture by the wife of the former PM of Iran on the beauty of concealment. The movement to abolish thehijab , and the message ofhijab .

Author(s): Dr. ZahraRahnavard

Translator(s):Sayyid AliRaza Naqvi

Publisher(s): Cultural Consulate of the Islamic Republic of Iran

www.alhassanain.org/egnlish

IN THE NAME OF ALLAH

Table of Contents

Foreword 4

About The Author 7

Beauty of Concealment and Concealment of Beauty 9

Imperialist Roots of The Abolition of Hijab 14

Effacement of the Self 15

2. Obliteration of the Manifestation 17

Progressive and Reactionary 17

Muslim Woman is the most Living Manifestation of Islamic Self 18

Imperialist Tactics, Weakness of Muslims' Bias and Treacheries Perpetrated by the Satanic Regime 19

Weakness of Muslims' (not Islamic) Bias Against Women 19

The Tragedy of Abolition of Hijab 20

Analysis of Abolition of Hijab among the Marxists having Orientosis and those having Occidentosis 21

The Indigenous Mechanisms 24

Notes 28

Message of Hijab From a Muslim Woman 29

Notes 48

Foreword

Hijab in a society has its roots in the culture of that society, a culture comprising the manner of apprehension and the type of views of the society about man and life. It is on the basis of these apprehensions and types of views that culture delineates the human existence in general and the position of women in particular. In the Islamichijab culture, a human being occupies anhonourable and dignified position in whose body, made of clay, God has breathed His soul, and therefore he possesses the innate capability of acquiring the divine qualities in the course of his evolutionary journey.

Naturally this holds good even in case of woman, being half of the mankind. However, Islam believes that the Creator of man and the world, in order to regulate the human affairs and the society, has created man and woman in two different forms, and has assigned basically different roles to each of them in the society. It is these differences based on divine Wisdom, which are responsible for the mutual attraction in both the sexes, which also guarantee companionship, playing the role of a complement to each other and lastly the continuation of the human life on earth.

What is important and valuable for a man and a woman from Islamic point of view is the occupation of their respective positions and the proper fulfillment of their own roles with the help of their existential capacities. In the Islamichijab culture one can easily find the elements of realism, kindness, truth and perfection. This culture relies upon realities in its dealing with man and the problems relating to him, and keeps itself away from indulgence in fanciful whims, idealism and aberrant thinking current these days, assigns the roles carefully and delicately and does not neglect the tender sides of human character particularly in dealing with woman.

It does not utter a word irresponsibly or unrealistically, and takes into account the respective qualities of man and woman and saves them from degeneration, degradation and deviation in thoughts and deeds. In such an intellectual system,hijab has some meanings.Hijab is meant for covering and concealing the attractive and delicate parts of the body and controlling the undue exposure of the sex-appeal (in a woman) in the society.

Islam recognizes man and woman on the basis of existing realities and the laws governing the human existence, and is fully cognizant of the fact that they possess appeal and attraction for each other. Although this appeal and attraction applies to all the existential dimensions of the two sexes, yet their most superficial manifestation is their outward attraction for each other.

From the Islamic viewpoint, woman occupies a number of delicate and attractive qualities which, if exposed in a vast and unlimited manner in the society, may not only cause sexual, emotional, intellectual and psychological disorders and ruin the very foundations of the society, but may also lose its healthy and useful effects within that framework.

When sex is allowed an unlimited and uncontrolled sway in the society, it destroys its very foundations based on human relations in a reasonable and solemn manner. So also when it wields its adverse effects on the family that is based on profound spiritual and emotional relations, it shall also ruin its foundations. This would be the greatest tragedy one can imagine in a society, since most of the social crises in the West that have led to the unrestricted and free sexual activity in all the fields and departments of human life emanate from the same source.

It is possible for some people to conclude that the best solution for this problem is to remove woman from the sphere of social activity so that the society may be cured of the plague of her sex-appeal and attraction. Another group holds the view that we should basically fight against sex-appeal itself, since it is the source of all sufferings and disturbances.

Both these views, the former being forwarded by the dry and fossilized minds throughout the past centuries and the latter held by Christianity, are the product of aberrant thinking and indulgence in fanciful whims, and have tread the wrong path in dealing with woman and the sexual instincts, and, due to superficial and aberrant thinking, have tried to rely on wrong solutions.

Islam repudiates both the above viewpoints, and finds the solution of this problem in the adoption ofhijab system by woman, and thus brings woman to society in the most active and best manner without allowing her to be a source of sexual disturbances and disorders. In fact, woman enters the field of social activity sans sexuality, so that firstly she may have the opportunity to utilize and manifest her capabilities and creative faculties as a human being, and secondly, society may be allowed to benefit itself from her energies and useful qualities.

Of course, Islam has not been heedless to the priorities and necessities. It considers woman as the only person competent to bring up children, and as such it has assigned some particular role to her. From the Islamic viewpoint, woman, in the position of a mother, has to play a very important and delicate role in the proper functioning of her society, since due to a special emotional texture she happens to possess a great collection of capacities and energies for the physical, intellectual, spiritual and religious training of the children, which, if and when fully realized and properly utilized, can bring about a great change in the society. However, even this important factor does not prevent her from participating in the general social life.

This is why we find that in the Islamic civilization, woman occupies the highest peak in the human values, and enjoys the most beautiful and delicate manifestations of human life. From the Islamic point of view, all the importance and value is attached to this very active and evolutionary role of woman in the human society, and nothing else.

Here is "The Message ofHijab from a Muslim Woman" one of the most valuable works of Sister ZahraRahnavard . It carries a message in all the domestic, social, political, cultural and other fields for you, O woman! For you who form half of the body of the human society. For you who possess the capability and capacity to move towards the achievement of a supreme and sublime objective. Such movement may turn you into an unparalleled innocent person, in the same way as it did with Fatimah, the venerable daughter of the holy Prophet, peace be upon him.

Cultural Consulate,

The Islamic Republic of Iran,

Islamabad, Pakistan July, 1987

About The Author

(Excerpts from an Interview with the Author)

It is now about 18 years whensister ZahraRahnavard started her political career with the teachers' strike against the pro-American regime of the ex-Shah. Subsequent to her dismissal from the government service in education department due to her political activities, she took up the cudgels against the Shah's regime with a semi-underground life by writing with the same nom de plume.

During this period she wrote a number of books, which were either published clandestinely or could not see the light of the day due to their protracted detention by the regime's censor. They included the books entitled: "The Emigration of Joseph", "The Revolt of Moses" delineating theQur'anic philosophy of history, "The Social Strata fromQur'anic Point of View", a politico-sociological study of the holy Qur'an and the short stories entitled "Ali and MashMadina ".

While still under prosecution, she succeeded in leaving for abroad. Several of her lectures to the foreign students were compiled in the form of books: "The Message ofHijab from a Muslim Woman" and "The Rise of a Muslim Woman" which were smuggled and published in Iran. In the last days of theSatanic regime of the Shah, when the state's sensitivity towards such activities subsided, she returned to Iran.

She produced her anthology: "Tempests and the Tulips ofShahrivar " under the nom de plume ofZaynab Boroujerdi after the bloody massacre of 17thShahrivar (8th September) by the pro-American regime of the ex-Shah, and dedicated it to Imam Khomeini (RA). After the state authorities came to know of the real identity behind her pen name, she was again forced to return to an underground life. Throughout the Islamic revolution she took herself to delivering lectures in most of the towns and universities, thereby exposing the regime of those days, until at last the revolution was blessed with success.

After the revolution, she wrote "Imperialist Roots of the Abolition ofHijab ". She soon assumed the position of the Chief Editor of the magazine "Rahe Zaynab ", (The Pathway ofZaynab ). During the turbulent days of the Cultural Revolution, she was the only lady who had thehonour to teach at the first Faculty of Anthropology founded on the basis of Islamic guidelines. Subsequently she gave a wider perspective to her University activities and started teaching at the Tehran University, where she produced several works including "Aesthetics", "Insight into theQur'anic Verses", "Philosophy of the Islamic Art" and "A Hero from theQur'anic Viewpoint", the last one being in the press.

SisterRahnavard is a graduate from the Faculty of Fine Arts, and is presently a Professor at the University. She has finalized the stage of writing her Doctoral Dissertation in the Department of Political Science. She is the wife of the present Prime Minister of the Islamic Republic of Iran, and the mother of three children. Following are the excerpts from an Interview with MadamRahnavard , published in "Shahide Banowan ", No.107 dated 1stOrdibehesht 1325/21st April 1986.

Q: SisterRahnavard , why have you cut down your social activities after Mr.Musavi has assumed the position of the Prime Minister of Iran?

A: In fact, when Mr.Musavi accepted such a big responsibility, it added to my responsibilities at home. It is because his heavy official engagements and the vast expanse of his service to the people did not leave any time for him to shoulder his responsibility at home fully. Therefore I had to cut down my (social) activities, pay greater attention to my home and confine myself to teaching at the University and writing books. During this period I have produced my research works in the fields of "Aesthetics in Islam", "Insight into theQur'anic Verses" and "The Philosophy of Islamic Art".

Now that my children have grown up, and my presence at home is not as necessary as before, I think I should devote myself more to the social work I used to perform during the tumultuous days of the Islamic Revolution. I hope, by the Grace of God, I shall always be successful in the performance of my service to the community of Hezbollah (The Faction of Allah's Believers).

Q. Some people believe that the Prime Minister has prevented you from social activities

A. No, it is not so. They are a bit inconsiderate. Like every other Muslim, Mr.Musavi also believes that the mosthonourable and dignified duty of a woman is her role as a mother. But at the same time, he is of the opinion that a woman must certainly have some activity in the society and should shoulder some important and fundamental responsibilities. I think, it would be injustice to Mr.Musavi to say that he has prevented his wife from social activities.

We are first indebted to our Leader for the Islamic Revolution, and then to the mothers who have produced men who laid down their lives for the sake of the Revolution. The Leader of the Community has also said:

"It is the lap of the mother from where man ascends the highest peaks of glory."

This is the great role of mothers which is acknowledged by all the Muslims, including Mr.Musavi himself, who is most willing to see all the ladies, including myself, undertaking various social activities in the society.

Beauty of Concealment and Concealment of Beauty

Address by Sister ZahraRahnavard at the Seminar for StudyingHijab .

The Seminar for StudyingHijab was held on Sunday, 16thDey 1364 (5th January 1986) atFarhang Hall. It was attended by some Members of theMajlis (Iranian Parliament), experts and officials of the Educational Affairs Section, Sector 11, Department of Education,Tehran . At this Seminar Sister ZahraRahnavard gave a speech on "Zeebaiye Hijab va Hijabe Zibayi " (Beauty of Concealment and Concealment of Beauty). In view of the unique views, beautiful approach and deep study of the problem, full text of the address is given below.

Hijab is likea scenery , a panorama or a garden, a garden full of fruits of differentcolours . You can select anyone of the thousands of rooms with thousands of windows, and from its frame look at the garden, stretch your hand and pick off a fruit. You can pick off the entire garden at one and the same time like a single fruit, satisfy with itsflavour your heart and soul, and make the garden, thehijab , a solace for your (disturbed) inner self.

Of all the myriad windows through which one can look into the garden, let us have a look atHijab through the window of beauty, a deep window, a window made of the wood of Sidra (theLote Tree in the Seventh Heaven) with the scent of eternal memories, a latticed window with variegated glass, illumining your soul withmulticolour lustre , a window of beauty of age-long human civilization, a window of centuries old human presence on the earth, or even older, a window dating back to the very age of creation or existence itself, a window of beauty!

The garden and the window, the concealment and the beauty often come close to merge in each other, and sometimes withdraw from each other.

Innumerable mysterious and esoteric windows open before this garden. So why should we studyHijab (or concealment) from the angle of beauty? ...Really, why?

For example, we can look atHijab through the window of Imperialism, and sit down and analyze it. Due to the strategic importance and the immense mineral resources, our dear motherland has ever been subjected to invasion by the super-criminals who have always been interested in getting hold of this politico-geographically sensitive area and through the most intricate conspiracies for eroding our Islamic identity haveendeavoured to deprive our nation of all the vestiges of self-defence .

Fifty years ago it was on the 17thDey (7 January) that, in servile obedience to the orders of the British and Americans, Reza Khan the accursed, ordered the abolition ofhijab for women in Iran. In fact, he pulled down the national flag which was a symbol of independence andhonour of Iran, and this served as a prologue to the future tragic drama of the loss of identity and the encroachment of foreign culture on the country.

We may look at thehijab from the window of economy, and then construe the abolition ofhijab as an Imperialist plot for the inflow of the putrefied surplus products of the Western Capitalist countries like the readymade garments, cosmetics and even the attractive bodies of women for the publicity of the surplus commodities manufactured in their factories.

We may look at the abolition ofhijab from the angle of the Imperialist morality which throws women before the eyes of the young as something pretty, snatching from them their senses and reason so that, subsequent to the loss of the sensible minds and firm resolution of the youth, the imperialists could plunder the natural wealth and resources of our country.

We may also look at the abolition ofhijab from the cultural strategy of Imperialism, and then find the woman exploited as a stronghold of the western cultural domination andOccidentosis , and through the agency of "la belle dame" the Imperialists have not only bombarded our religious and national bases, but have evenmanouvred the complete devastation and annihilation of the sublime values like the pious feelings of love and affection,honour , dignity and sacrifice.

Today, however, we are not going totook through any of these windows. Beauty in a psychological perspective and in direct relation withhijab has kept so many persons mentally and psychologically occupied persons who, in Iran or elsewhere, are connected with this concealment or have a problem with' its content or form.

The addressee of this discourse is not a lady who is a principal, teacher, official, worker, doctor, specialist, housewife, or a school or college student. The addressees are rather the pious souls of all the women of the country striving for the elevation of the women's position.

I firmly believe that they are all noble persons, possessing gentle souls and have drunk deep from the pure spring of "the Eternal Being", and in this material world are waiting to receive the illuminating radiance of Truth.

They are noble, modest and peerless, except, indeed, a very small group of those women politically attached with the former regime who, by their heart and deeds, are still linked with the Western political and economic imperialism and receive their guidance and propaganda instructions from the foreign radios andcentres of crime like CIA andMossad in order to pollute and corrupt our Islamic society with full knowledge and intention.

Such elements form hardly one per cent of the aggregate in our society. I sit beside the clean souls of women, while I am fully confident that once the necessary economic reforms, so eagerly awaited by all of us, are introduced, most of the cultural losses of deviation including the issues relating tohijab and the relevant excesses and shortcomings on the subject shall also be restrained. Let us go back to "the frame of beauty".

Today most of the young women and girls, who have adoptedhijab intoto and have been completelyenamoured by it, have reached the truth that concealment in entirety is beautiful. What kind of beauty is this?

On the other hand, those who have adoptedhijab halfheartedly, or have tolerated it under duress, in spite of possessing clean and spotless frames, try to conceal their beauty by myriad forms, fashions, hues and dyes and cosmetics, as they feel thathijab shall bring down the standard of their beauty. What a strange meaning of beauty!

What is beauty? Where is its realm? But, O Woman, the character of the society is strangeness. The society itself breeds concealment. What type of concealment?In your own environment. your own society, there are innumerable curtains, which have been drawn on the beauty of your being. Why don't you see these curtains? Who are you?

In the society, you adapt yourself according to thejudgements of the society.With in your work environs, you accept thebehaviour , the type of dress,the conditions of concealment prevalent in your environment. Throughout your life, each place, every moment, each incident, every event throws a new curtain on your personality the curtain of class, the curtain of shape, the curtain of status, the curtain of reputation and the curtain of respectability. But who are you? What are you? The countless curtains lead you to the loss of your identity your own being.

After all we are not like the Marxists who believe that man's identity is nothing but what is determined by the economic class to which he belongs. On the contrary, we believe that every person is "something", is a reality inhimself , greater than what is granted by the society, history, class, relations or connections. The subject of self-alienation which is propounded in connection withhijab has also been alluded to in the various ideologies. For example, a Marxist believes that the exploitation and the presence of the worker in the Capitalist production within an industrialized society which takes place through profiteering have led to the worker's self-estrangement. This is an economic interpretation of self-alienation.

Existentialism explains self-alienation in a different way. According to it the presence of man as a sole voluntary, conscious being in an inert, unconscious world and also in a society where the system and its conventions are quite foreign to his internal inclinations, gives birth to self-estrangement.

According to the explanation forwarded at this point by us, a woman in. all other systems, in whatever conditions and environs, wraps her real beauty into the curtains of a variety of relations and connections. The Islamichijab , in our connotation, is by itself a source of drawing all these curtains aside and providing her the possibility of uniting with the real beauty of her being and rediscovering her own self. This social harmony proves to be an introduction through close affinity and sincerity to her real self for the attainment of the sublime origin and supreme source of her own self or Allah, and this is thegnostic unity.

Man has not a mere economic and historic nature. These are mere curtains, intertwined, curtains over a pure and clean beauty of being. All the social positions are mere curtains drawn over the real beauty of human essence. There is inside yourself a being which, in all-earnest and anxiety, expects that you will discover it, will be sincere to it, will come to its rescue, will be in unison with it, will be all one with it, will hold it and it will hold you, so that you may return to your original source.

But you have kept distance from it through innumerable curtains, have completely estranged yourself from it and have left it alone. Or perhaps, you have missed it. The entire beauty of concealment lies here. As soon as you own it, all the false identities of probability shall be gone, and your mundane status, pomp and show and material acquisitions shall disappear. You will give up the symbol of your individualism, and will become like all the others, like me, like him, like all of us, a worker, an official, a teacher, a doctor or a student.

You will give up all the ostentatious distinctions and will be able to reach the estranged, real self, the self having a sublime and beautiful origin, a divine origin, and a manifestation of the divinity of God, God, who is Beautiful. In other words, now that you have attained unity at the level of the society, you may also reach unity at the level of existence.

Like the leaf of a tree, a spring, mountain, or a flower in a blowing wind or the flight of a bird, you step into the unique society of existence where all are occupied in His obeisance and prostration in His adoration. Isn't such a concealment really beautiful even more beautiful than the one you may ever run after the one which you may decorate with hues andcolours in order to give yourself a prettier look but which, in fact, may drown you into you, into your own individualism, take you away from the real Beauty and would prove to be a curtain between you andBeauty .

On the one hand, beauty, the physical beauty, the visual beauty of the stature and outward appearance is itself an obstruction. The body is a curtain, (as the poet says)

"The dust of my body becomes an obstruction for the face of my soul. How happy will be the moment when I shall draw this curtain aside from the face"

The Western Renaissance was the revival of the Greek values that attached utmost importance to the value of matter and body. In their belief beauty was virtue. Thus every beautiful person was virtuous and popular.

Venus, the goddess of Love and Beauty and Helen, the famous demigoddess of Troy, both were at the same time heroines of corruption, debauchery and perfidy, but how strange that they were worshipped by the Western Imperialist people whose values take roots from the Greek civilization.

These people alwaysendeavoured to prove everywhere, particularly in their colonies, that physical beauty is the foundation of virtue. It is the body where lie beauty and virtue. As it is so, it must be exposed to the public eyes andjudgement . The whole image of a woman in an Imperialist regime suffering from a cultural Imperialism is that of a beautiful being, and not the image of a mother or a source of an epic or great sacrifice. Thank God, our society has succeeded in giving birth to such great values. (Elsewhere) the idea of physical beauty is so strong that woman is also governed by it, and she finds satisfaction with herself only when she finds herself beautiful and her beauty a subject of publicjudgement .

This image of woman, a beautiful woman, also takes its roots as an established value in the minds of men, to the extent that even at the time of making the most important decision (in life), namely, marriage they are after finding a spouse possessing such physical qualities.

The demand of the society from a woman, the demand of a woman from herself and the demand of man from a woman all revolve round the physical beauty. But the real beautylies in the moment the society, man and woman herself should demand from woman the beauty of the soul and the spirit and the human qualities and talents. The body which is destined to decay, to be mingled with the dust and produce (and be eaten by) worms, even at the pinnacle of its beauty is but an obstruction in the way to real beauty. The beauty of concealment, therefore, lies in the elimination of the physical values in order to revive the values of the real self of a woman in the mind of the society of man and woman.